I defy anyone to leave The Prince of Egypt without a silly grin plastered on their face. Stephen Schwartz’s staging of the 1998 DreamWorks animation is joyful, energetic and ridiculous. […]
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I defy anyone to leave The Prince of Egypt without a silly grin plastered on their face. Stephen Schwartz’s staging of the 1998 DreamWorks animation is joyful, energetic and ridiculous. […]
Read moreKevin Elyot’s ‘Coming Clean’ has returned to Trafalgar Studios for a limited one-month run, after the production – by director Adam Spreadbury-Maher – ran in early 2019 to great success. […]
Read moreBig, at the Dominion Theatre in London, is based on the 1988 American film starring Tom Hanks. Oftentimes adapting a musical from a film can lead to less convincing scores and a feeling of shoehorning a plot into a musical setting.
Read moreSpontaneity has always been a core principle of theatre, but Showstopper!: the Improvised Musical takes it to another level. Every night, the showstoppers (as the revolving cast affectionately call themselves) […]
Read moreComing Clean is one of those rare and wonderful theatre experiences where all the different elements have aligned just right, and the product is this gem of a show. The […]
Read moreThis week Claudia Graham was fortunate enough to speak with Rick Strickland, Hair and Make-up Head of Department at ‘MAMMA MIA!’, about the world of backstage beauty.
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