I like lyricism. Real deep, emotional and emotive writing that reads like a Garcia Lorca poem, and you can spend all day really getting your teeth into, debating the true […]
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Author: Scott Redmond
The BellRays – Voodoo
There is a long history of husband and wife duos in music. Sonny and Cher, John and Yoko, Kurt and Courtney; recording together with, shall we politely say, mixed success. […]
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Frank Skinner Live – Festival Theatre
I like Frank Skinner. There is something pleasing in the straight forward quickness of his wit during his many television appearances, and his books littered my teenage shelves. Further, a […]
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Anatomy – Traverse
So first things first: Anatomy (the cabaret) is not about anatomy (the study of the human body). I cannot stress how much this disappointed your medical student reviewer. However, that was about the only thing to leave me disappointed on this night.
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Clive Anderson: Me, Macbeth, and I – Edinburgh Fringe
In some ways Clive Anderson feels like part of the furniture in Edinburgh, having been part of Cambridge Footlight revues, solo ventures, and live versions of Whose Line Is It Anyway? amongst other things. To put it in perspective, he has been coming to the festival as a performer since before either of my parents were born.
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Mark Silcox: I Can Cure… (With Subtext) – Edinburgh Fringe
The Edinburgh festival is a strange place. I have seen feminist clowning shows about seducing mannequins, cabaret songs sung from the perspective of a sentient pub, dance pieces about ebola. In my five years as a performer, and four as a reviewer, I don’t think I have seen anything confuse an audience more than this show.
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