In the case of ‘Oliver!’ the intricate detailing and level of professionalism they offer is, put simply, impressive.
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Author: Rhona Mackay
A 23 year old, working as an actor, writer and director. Born in Glasgow and moved to Edinburgh five years ago to study Acting and English at Edinburgh Napier.
Son of a Preacher Man (Edinburgh King’s Theatre)
For those after an easy-go-lucky play with good music, look no further. For those that love the swinging Sixties and yearn for a deep, emotive plot suitable for Dusty’s heart aching songs? Stay well away.
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Tea and Nuisance (Foxfire Theatre: Leith Depot)
Although Foxfire does manage to capture the lyrical, complexity of Carroll’s language, the play grew stale very quickly.
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Buzz: A New Musical (Fat Rascal Theatre: Pleasance Courtyard)
I highly recommend this play. Funny, smart and unapologetically empowering.
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Tape Face (Gag Reflex: Pleasance Courtyard)
It’s a simple idea, performed with incredible talent and professionalism, but does it satisfy the arena’s expectations? Not really.
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The Duke (Shôn Dale-Jones: Pleasance Dome)
Shôn Dale-Jones, the Artistic Director of Hoipolloi, is both the writer and sole performer of ‘The Duke’. A poetic, personal story surrounding the accidental breaking of a family heirloom.
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